WRITING QUOTES XXXII

quotations about writing

To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?

CHINUA ACHEBE

Hopes and Impediments: Selected Essays


I write because I've always written, can't stop. I am a writing animal. The way a silk worm is a silk-producing animal.

DORIS LESSING

attributed, Shoptalk: Learning to Write with Writers

Tags: Doris Lessing


Every character is an extension of the author's own personality.

EDWARD ALBEE

The New York Times, September 18, 1966

Tags: Edward Albee


The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it.

MARK TWAIN

"How to Tell a Story"

Tags: Mark Twain


Why write it? I thought it would earn me money.

ROBERT REED

interview, Fantasy & Science Fiction, December 18, 2012


The artist deals with what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.

URSULA K. LE GUIN

introduction, The Left Hand of Darkness

Tags: Ursula K. Le Guin


Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.

ALAN HOLLINGHURST

The Paris Review, winter 2011

Tags: Alan Hollinghurst


You want to be a writer? Good for you. So does that guy. And that girl. And him. And her. And that old dude. And that young broad. And your neighbor. And your mailman. And that Chihuahua. And that copy machine. Ahead of you is an ocean of wannabe ink slaves and word earners. I don't say this to daunt you. Or to be dismissive. But you have to differentiate yourself, and the way you do that is by doing rather than pretending.

CHUCK WENDIG

The Kick-Ass Writer

Tags: Chuck Wendig


Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?

CHUCK WENDIG

"25 Things Writers Should Know About Rejection", Terrible Minds


I'm such a slow writer I have no need for anything as fast as a word processor. I don't need anything so snappy. I write so slowly that I could write in my own blood without hurting myself.

FRAN LEBOWITZ

The Paris Review, summer 1993


My method is to take the utmost trouble to find the right thing to say, and then to say it with the utmost levity.

GEORGE BERNARD SHAW

Answers to Nine Questions

Tags: George Bernard Shaw


What I do as a writer, I work with situations, characters, certain situations and characters that appeal to me. And then, I try to imagine them and write the story that seems to flow from them. At a certain point, I can realize the themes are merging from this. But I never start from a thematic point of view, that I'm going to write about reinvention of self, identity, or any of these things. Usually, after the book is finished and I start talking about it, that it becomes analytical in that way. And in some ways it's a distortion of what the process has been, writing the book.

JEFFREY EUGENIDES

interview, 3 AM Magazine


At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it--it will haunt you till it's written.

TRUMAN CAPOTE

The Paris Review, spring-summer 1957

Tags: Truman Capote


In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.

ALI MADEEH HASHMI

"The art of writing", The News on Sunday, March 11, 2017


The public takes from a writer, or a writing, what it needs and lets the remainder go. But what they take is usually what they need least and what they let go is what they need most.

CHARLES BUKOWSKI

Notes of a Dirty Old Man

Tags: Charles Bukowski


I truly believe that writing is a continuum--so the different genres and forms are simply stops along the same continuum. Different ideas that need to be expressed sometimes require different forms for the ideas to float better.

CHRIS ABANI

interview, UTNE Reader, June 2010

Tags: Chris Abani


Sometimes I pick up a book and I say: Well, so you've written it first, have you? Good for you. O.K., then I won't have to write it.

DORIS LESSING

The Golden Notebook

Tags: Doris Lessing


Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.

HENRY WADSWORTH LONGFELLOW

Table-Talk

Tags: Henry Wadsworth Longfellow


[Writing is] hostile in that you're trying to make somebody see something the way you see it, trying to impose your idea, your picture. It's hostile to try to wrench around someone else's mind that way. Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.

JOAN DIDION

The Paris Review, fall-winter 1978


There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions -- is he tall, is he short? -- he had better quit.

REX STOUT

The New York Times, November 15, 1953