WRITING QUOTES XXIV

quotations about writing

The trouble with writing fiction is that it has to make sense, whereas real life doesn't. It's incredibly annoying for us scribblers.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013

Tags: Iain M. Banks


What I cannot thus eliminate, what I must, head down, eyes shut, with the courage of a battalion and the blindness of a bull, charge and disperse are, indubitably, the figures behind the ferns, commercial travellers. There I've hidden them all this time in the hope that somehow they'd disappear, or better still emerge, as indeed they must, if the story's to go on gathering richness and rotundity, destiny and tragedy, as stories should, rolling along with it two, if not three, commercial travellers and a whole grove of aspidistra.

VIRGINIA WOOLF

"An Unfinished Novel", The Complete Shorter Fiction of Virginia Woolf

Tags: Virginia Woolf


To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.

VIRGINIA WOOLF

The Common Reader


To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.

KINGSLEY AMIS

The Amis Collection: Selected Non-fiction

Tags: Kingsley Amis


Genre categories are irrelevant. I dislike them, but I do not have the casting vote. Writing is writing and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?

TANITH LEE

Tabula Rasa, October 1994


I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.

JEFF ABBOTT

"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017

Tags: Jeff Abbott


The man, the writer, the instrument of the creation will die, but his creation does not die.

LUIGI PIRANDELLO

Six Characters in Search of an Author

Tags: Luigi Pirandello


Fiction -- at least for me -- requires long, relatively uninterrupted time stretches in which to bring it to fruition. I've never been a two-hour-in-the-morning writer, who could put in another six hours on Sunday afternoon. For me, a novel requires weeks of living in a largely mental and wholly internal landscape. Everything else has to be relegated to the odd hour here, the bit of time there. Sadly, however, uninterrupted time blocks are not what life doles out today to any of us with regularity.

SAMUEL R. DELANY

interview, SF Site, April 2001


Writers, especially when they act in a body and with one direction, have great influence on the public mind.

EDMUND BURKE

Reflections on the Revolution in France

Tags: Edmund Burke


As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.

ARISTOTLE

Poetics

Tags: Aristotle


It's not the word made flesh we want in writing, in poetry and fiction, but the flesh made word.

WILLIAM H. GASS

On Being Blue


It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.

CHINUA ACHEBE

interview, Okike, 1990

Tags: Chinua Achebe


There is, as yet, no Act of Parliament compelling a bona fide traveler to read. If you wish him to read, you must make reading pleasant. You must give him short views, and clear sentences.

WALTER BAGEHOT

Literary Studies

Tags: Walter Bagehot


Occasionally, I'll dream I'm in the factory. That will help me write. Not creatively, but more like a prod. I don't want to go back there.

ROBERT REED

Lincoln Journal Star, January 11, 2004


I've found it incredibly helpful to make writing a routine. I don't sit down with the intention of creating an article that goes viral or some savvy sales page. I sit down and force myself to get my thoughts out on paper or in my laptop. If we choose the same time everyday our physiology is automatically going to start getting prepared to allow thoughts to flow to paper. After awhile of doing this you might even find that your ideas start coming to you shortly before you're scheduled writing time. I've found myself skipping my morning tea because I had such great ideas/thoughts and wanted to quickly get them out of my head and onto paper.

DANIELLE SABRINA

"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016


Be a mere assistant to your unconscious. Do only half the work. The rest will do itself.

JEAN COCTEAU

Diary of an Unknown

Tags: Jean Cocteau


Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.

URSULA K. LE GUIN

"A Message About Messages", CBC Magazine

Tags: Ursula K. Le Guin


I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.

ADAM RAPP

interview, Bomb Magazine, spring 2006


What I like to do is write the story, see where it takes me -- and then check out the details I don't know. When I first started writing, there were a lot of things about the world that I understood but didn't have the vocabulary for -- and even more things that I just had no idea about. For instance, do you know all the parts of a door frame? Or what flowers bloom in the spring in alpine climates? There's a surprising amount of homework involved in writing a book.

PATRICIA BRIGGS

interview, Bitten by Books, March 30, 2010